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TASP 2003 at UT Austin:
The Mystery of Creativity |
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reasonably remarkable
Friday, September 10, 2004
Even when away from Nebraska, I find it, this time in Ted Kooser.
Pasture Trees
Generations of cows, long gone to market
fat and forlorn, once lipped the lowest leaves
and nibbled the lower limbs until these old
box elder trees are level as thunderheads
across their bases, showering shadows
into the long, lush grass, a rain of absence
pattering flat on the hard-packed cow path
turning toward home, toward the hilltop barn
that fell away, that followed the cattle
lowing into the past, its creaking slats
sore-sided as a rack of wet alfalfa
from laboring under the weight of weather;
that steamy barn that hid the rising sun
as the cows walked slowly out into the world
every morning like widows leaning on air;
that stark, black silhouette that for a moment
each evening held the galvanized pail
of the moon tipped under the bony elbow
of an eave--a dented moon that slowly filled
with milk for the many who lived here then:
happy, unhappy: young people and old
who borrowed bitterly to own those creatures
who danced all day on their back legs, stretching
to eat the very trees that gave them shade.
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